Showing posts with label fischer. Show all posts
Showing posts with label fischer. Show all posts

Monday, January 16, 2023

Lightly and Patiently... : For the Time Being - Norman Fischer

Lightly and Patiently... : For the Time Being - Norman Fischer

Why would they want to do this? Because it turns out that facing pain — not denial, not running in the opposite direction — is a practical necessity.

Tuesday, September 24, 2019

Norman Fischer on Suffering

Suffering Opens The Real Path
BY 

Thursday, July 6, 2017

Beyond Language - Norman Fischer




Beyond Language
Finding freedom through thoughts and words
By Norman Fischer, Artwork by A. J. Bocchino

A seemingly inescapable fact of my life is that I am a poet, or, at least, that I keep writing poems. Why would I feel the need to do this? I am fascinated by language. But language is fascinating to everyone. It is through language that we describe and therefore create the world we live in, and it is through language that we describe and therefore create ourselves. If the world is difficult and life is difficult, it may not be that there is something wrong with life or the world—it may be that there is something wrong with our descriptions.
We usually think that there is something and then there is talking about something, and that the something is substantial and real and the talking about it is secondary. But for the human mind there is no way to separate something from talking about something. Even perception is, to some extent, a process of talking about something.
I suppose you could say that language is humanity, because human consciousness is language-making consciousness. Language is so close to us we cannot understand what it is. We are “in” language the way a fish is in water: for the fish, water is just the way things are.
I have been wondering about language almost all my life, and after all these years of exploration, I am no closer to understanding it than I have ever been. Still, in my poetry I am always writing about this effort to understand language. It seems to be my chief topic: Can we know what language is? Can we know what we are? The poet Paul Celan writes, “Whenever we speak with things in this way (in poetry) we dwell on the question of their where-from and where-to, an open question without resolution.”
So language is, on the one hand, a prison: we are literally locked inside language, created by, defined by language, and can only see as far as we can say. On the other hand, language can also free us: it can open our imagination and allow us to reach out to the world—and fly beyond it. This is what poets try to do.
They always fail, but the point is not to succeed but to make the attempt.
In Zen practice we are always trying to stand within language in a fresh way, to open up the hand of thought, and play with language and let language play with us. This means we come to understand and dwell within language in many ways. Each word means something and not something else. But also each word is gone even as we speak it, and so it isn’t anything. When we speak about something we might think we are understanding it or controlling it, but that is not so. When we are speaking about something we are also—and mainly—speaking about nothing. Speaking is just being ourselves, expressing ourselves. When we get tangled up in the something we think we are speaking about, we suffer.
All language is singing. Music doesn’t have any describable meaning, yet it is vital to our lives. But we don’t know this. We hold onto objects we have created with our language, objects that don’t exist as we imagine that they do, and we suffer. If we could experience language as it really is for us, we could be free from the suffering language creates. This doesn’t mean that we would be free from pain or sorrow. Only that we would be free from the special sort of anguish that human beings feel when they are lonely and estranged from themselves, others, and the world.

This thought lies at the heart of Buddhism. The first three practices of the eightfold path are right view, right intention, and right speech. These make right conduct possible, and when there is right conduct, there can be meditation practice and mindfulness, which lead to wisdom, thereby reinforcing right view. So from the first, the Buddha saw that our language conditions our spirituality through our views, intentions, and uttered words, and that training in an increased awareness of this process has to be the starting point for spiritual practice. In later Buddhist thought this insight was strengthened and made more explicit with the teachings on emptiness, which understand the nature of human reality to be “mere designation.”
As a spiritual teacher operating in the real world with real students, the Buddha was sophisticated yet quite practical in these matters. Like Socrates, he was a master of dialogue. He knew that getting caught up in language was a trap. He saw that nothing was more fundamental than right view—out of right view everything good unfolds—but he also saw that right view isn’t some doctrine or propositional truth. People sometimes ask me, what is the Buddhist view of this or that? But there is no Buddhist view of this or that. The Buddhist view is a non-view, but not a non-view that is the opposite of a view, a wishy-washy noncommittalism. Non-view includes various views that arise in response to conditions. Non-view is an attitude, a spirit of openness, kindness, and flexibility with regard to language. Non-view is a way to stand within language, to make use of language, to connect without being caught by—and separated from the world by—language.
Buddha spent his life talking to people. In fact, he was one of the greatest masters of talking to people in recorded history. One gets the sense in the suttas that the Buddha talked not because he was particularly loquacious, or because he was given to elaborate explanations, but in order to help people see through the smoke screen of their own language and views. Once someone asked him for his secret in answering questions as effectively as he did. He said that he had four ways of answering questions. One way was categorically—just to say yes or no without ambiguity. The second way was to examine the question analytically, clarifying definitions and trying to determine what was actually being said, usually by deconstructing it. Most of the time when the Buddha employed this method there was no need to answer the question: under analysis the question proved meaningless. The third way was by posing a counterquestion, the purpose of which was to bring the questioner back to his or her own mind, redirecting attention away from the entanglement of the language of the question to something real that stood behind it. The fourth way was simply to put the question aside, knowing that some questions are so hopelessly entangled that to take them up at all means beating your head against a wall—there is no end to it and you end up with a bloody head. To put the question aside is simply to walk around the wall. This way you can get to the other side without beating your head bloody. So sometimes the Buddha’s response to a question was silence.

In his discussion of right speech the Buddha also demonstrated the subtle and nuanced understanding that words do not have fixed meanings and ought never to be taken at face value. The meaning of a word depends on the context: who is speaking and listening, the tone of voice employed, the underlying attitude, and the situation in which the words are spoken. The very fact that the Buddha did not recommend that his words be written down and that he allowed others to explain the teachings in their own words, insisting that ordinary language, not special holy language, be used, shows that he understood language to be a process—essentially a dialogue, a dynamic experience—rather than a tool of exact description or explanation. The Buddha saw that far from being a neutral conduit for the conveying of preexisting meanings, language is an ever-shifting vehicle for the self, and that the way to clarify the self and the world is to hold language in an accurate and sensitive way.
Of all the Buddhist teachings the Zen masters of ancient China inherited from India, what they emphasized most was this point about language:
A monk asked Zhaozhou, “What is the Great Perfection of Wisdom?”
Zhaozhou replied, “The Great Perfection of Wisdom.”
Another monk asked him, “What is meditation?”
Zhaozhou replied, “Non-meditation.”
“How can meditation be non-meditation?”
“It’s alive.”
Another monk: “What is one word?”
Zhaozhou: “Two words.”
A monk asked Fengxue, “How can I go beyond speech and silence?”
In response, Fengxue quoted lines from a famous poem.
What makes us miserable, what causes us to be in conflict with one another, is our insistence on our particular view of things: our view of what we deserve or want, our view of right and wrong, our view of self, our view of other, our view of life, our view of death. But views are just views. They are not ultimate truth. There is no way to eliminate views, nor would we want to. As long as we are alive and aware there will be views. Views are colorful and interesting and life-enhancing—as long as we know they are views. The Chinese Zen masters are asking us to know a view as a view, and not to mistake it for something else. If you know a view as a view, you can be free of that view. If you know a thought as a thought, you can be free of that thought.
Going beyond language through language is something we can practice and develop through meditation, study, and awareness in daily life. In meditation we can learn to pay attention not only to sensation but also to emotion and thinking. Learning to let thinking come and go, we can eventually understand a thought as a thought and a word as a word, and with this understanding we can find a measure of freedom from thoughts and words. We can begin to appreciate Buddhist thought not as a new set of concepts that we are to adhere to, but as a kind of mental yoga, a counterweight to the concepts we already unconsciously hold and that hold us, locking us into a small, temporary, atomized self. When in daily living we learn to return again and again to where we are in body, emotion, and mind, we are learning to hold our language and views lightly, to see that they are ever-evolving currents of being, that they are not only ours but belong to everyone else as well. When we cultivate the practice of paying close attention to the way we talk to ourselves, we won’t fool ourselves too much. Another old Zen master used to call out to himself, “Don’t be fooled by anything.” And he would answer, “I won’t be!”
Norman Fischer is a poet and Zen priest who lives at Green Gulch Farm, a Zen center in California, where he is the head of the practice program.
A. J. Bocchino is a visual artist whose projects are driven by an analysis of the mass media as well as the processes of accumulation, archiving, and record keeping. www.ajbocchino.com

Sunday, December 4, 2016

A New Look at the Heart Sutra, from Thich Nhat Hanh and Norman Fischer

The key term in Buddhism’s Heart Sutra is the Sanskrit word shunyata, usually translated into English as “emptiness.” As the sutra says in its opening lines, “All dharmas [things, phenomena] are empty.” Eyes, ears, noses, tongues, bodies, minds: all external objects—and all Buddhist teachings—are empty.
The word “emptiness” is a fair translation of shunyata, but it has the drawback of sounding negative, even despairing. The emptiness of the Heart Sutra is something else entirely. It’s good news of joyful freedom and liberation. Commentators to the sutra often ask the question, “Empty of what?” and answer, “Empty of separate self, empty of weightiness, empty of burden, empty of boundary.”
The Chinese, searching for a word that might translate shunyata, used the character for “sky.” All dharmas are empty like the sky—blue, beautiful, expansive, and always ready to receive a bird, a wind, a cloud, the sun, the moon, or an airplane. The emptiness of the Heart Sutra isn’t the emptiness of despair; it’s the emptiness of all limitation and boundary. It is open, released.
When I am bound inside my own skin and others are bound inside theirs, I have to defend and protect myself from them. And when I do place myself among them, I must do it carefully, which is hard work, because I am often hurt, opposed, and thwarted by others. But when there’s openness, no boundary between myself and others—when it turns out that I literally am others and others literally are me—then love and connection is easy and natural.
This is why the emptiness teaching of the Heart Sutra, which seems to be rather philosophical and dour, is the necessary basis for compassion. Emptiness and compassion go hand in hand. Compassion as transaction—me over here, being compassionate to you over there—is simply too clunky and difficult. If I am going to be responsible to receive your suffering and do something about it, and if I am going to make this kind of compassion the cornerstone of my religious life, I will soon be exhausted. But if I see the boundarylessness of me and you, and recognize that my suffering and your suffering are one suffering, and that that suffering is empty of any separation, weightiness, or ultimate tragedy, then I can do it. I can be boundlessly compassionate and loving, without limit. To be sure, living this teaching takes time and effort, and maybe we never entirely arrive at it. But it’s a joyful, heartfelt path worth treading.
In Mahayana Buddhism, compassion is often discussed in terms of absolute and relative compassion. Absolute compassion is compassion in the light of emptiness: all beings are empty; all beings are, by virtue of their empty nature, already liberated and pure. As the sutra says, suffering is empty, and relief from suffering is also empty.
But this would be one-sided and distorted. Relative compassion—human warmth and practical emotional support—completes the picture. Absolute compassion makes it possible for us to sustain, joyfully, the endless work of supporting and helping; relative compassion grounds our broad view of life’s empty nature in heart connection and engagement. Either view by itself would be impossible, but both together make for a wonderfully connected and sustainable life.

The Insight That Brings Us to the Other Shore

The insight of prajñaparamita, the perfection of wisdom as taught in the Heart Sutra, is the ultimate truth, transcending of all conventional truths. It is the highest vision of the Buddha.
Prajñaparamita is the liberating insight that helps us to overcome all pairs of opposites, such as birth and death, being and non-being, defilement and immaculacy, increasing and decreasing, subject and object, and so on. All phenomena are products of dependent arising: that is the main point of the prajñaparamita teaching. This helps us to get in touch with the true nature of no birth/no death, no being/no non-being, etc., which is the true nature of all phenomena.
This is a state of coolness, peace, and non-fear that can be experienced in this very life, in your own body and in your own five skandhas. It is nirvana. As it is said in a very beautiful sentence in the nirvana chapter of the Chinese Dharmapada, “Just as the birds enjoy the sky, and the deer enjoy the meadow, so do the wise enjoy dwelling in nirvana.”—Thich Nhat Hanh
Avalokiteshvara
while practicing deeply with
the Insight that Brings Us to the Other Shore,
suddenly discovered that
all of the five Skandhas are equally empty,
and with this realization
he overcame all Ill-being.
“Listen Sariputra,
this Body itself is Emptiness
and Emptiness itself is this Body.
This Body is not other than Emptiness
and Emptiness is not other than this Body.
The same is true of Feelings,
Perceptions, Mental Formations,
and Consciousness.
“Listen Sariputra,
all phenomena bear the mark of Emptinesss;
their true nature is the nature of
no Birth no Death,
no Being no Non-being,
no Defilement no Immaculacy,
no Increasing no Decreasing.
“That is why in Emptiness,
Body, Feelings, Perceptions,
Mental Formations and Consciousness
are not separate self entities.
“The Eighteen Realms of Phenomena
which are the six Sense Organs,
the six Sense Objects,
and the six Consciousnesses
are also not separate self entities.
“The Twelve Links of Interdependent Arising
and their Extinction
are also not separate self entities.
“Ill-being, the Causes of Ill-being,
the End of Ill-being, the Path,
insight and attainment,
are also not separate self entities.
“Whoever can see this
no longer needs anything to attain.
“Bodhisattvas who practice
the Insight that Brings Us to the Other Shore
see no more obstacles in their mind,
and because there
are no more obstacles in their mind,
they can overcome all fear,
destroy all wrong perceptions
and realize Perfect Nirvana.
“All Buddhas in the past, present, and future
by practicing
the Insight that Brings Us to the Other Shore
are all capable of attaining
Authentic and Perfect Enlightenment.
“Therefore Sariputra,
it should be known that
the Insight that Brings Us to the Other Shore
is a Great Mantra,
the most illuminating mantra,
the highest mantra,
a mantra beyond compare,
the True Wisdom that has the power
to put an end to all kinds of suffering.
Therefore let us proclaim
a mantra to praise
the Insight that Brings Us to the Other Shore.
“Gate, Gate, Paragate, Parasamgate, Bodhi Svaha!
Gate, Gate, Paragate, Parasamgate, Bodhi Svaha!
Gate, Gate, Paragate, Parasamgate, Bodhi Svaha!”
Thich Nhat Hanh translates the Heart Sutra‘s closing Sankrit mantra as: Gone, gone, gone all the way over, everyone gone to the other shore. Enlightenment!
Image: “I have arrived I am home” calligraphy by Thich Nhat Hanh, available in the Lion’s Roar Store.

Sunday, February 7, 2016

Bowing

Why Do We Bow?

Norman Fischer (1997)

Many people have this question the minute they walk into the zendo and are told to make full prostrations to the Buddha image on the altar. They come with an idea that Zen is beyond words and letters, beyond religion, beyond rules, beyond piety, and so the idea of such a thorough-going and outrageous display of what seems like religious fervor seems quite disturbing to them.

So why do we bow? I had this same question myself in the beginning of my practice. My teacher at the time took me up to the altar and let me look closely at the tiny Buddha there. He pointed out to me that the little Buddha was also bowing. So I was bowing to the Buddha and the Buddha was bowing to me. “If he can do it you can do it,” he said. I thought that was fair enough.

Bowing is just bowing. You do it mindfully, in a particular way, aware of the body and mind in the doing of it. The so-called meaning of it is extra. It’s not a symbolic or conceptual act. It’s just another form of sitting practice. You sit, you walk, the bell rings, you get up and bow. To just do what you do withfull attention and without much worry is an important part of the method in Zen.

And there’s another way of looking at it: We are bowing to an image which suggests for us. So the bowing is a training method. We offer our whole body and mind to wisdom or to compassion, opening ourselves, in the act of the bow, to that quality letting go of everything else in our life but that quality, bringing it out, making it big, fashioning it day by day, bow by bow.

When I bow to the Buddha on the main altar at Green Gulch, I train my mind deeply, creating a powerful predisposition in myself toward the development of love and appreciation for the Buddha nature that is my own nature. When I bow to Tara, I am training my mind, creating a predisposition in myself toward the feminine and active in my own nature.

This kind of training is not something most of us are used to. Our sense of training has largely to do with will or skill, and this kind of training has to do with warmth and devotion. Yes, piety. But after all, piety is all right, devotion is all right. In fact, they are very tender and splendid emotions if you can cultivate them without getting hysterical about it. It’s okay to respect Buddha and make offerings to Tara. We can appreciate Buddha and Tara and all the other figures that we practice with as “other” when we really appreciate that they aren’t really other.

The more familiar we are with ourselves as we actually are, the more comfortable we are with Tara and Manjushri and everyone else. As my first teacher said, the bowing is always mutual; there is one bow back and forth. Buddha bowing to Buddha, Tara bowing to Tara.

A long time ago, when I was serving as his attendant, I noticed that Katagiri Roshi always mumbled something as he bowed. I asked him what it was but he couldn’t tell me since it was in Japanese. Later on, I received in the mail a translation of the bowing verse, which I have used ever since.
“Bower and what is bowed to are empty by nature,” it goes. “The bodies of one’s self and others are not two/ I bow with all beings to attain liberation/ To manifest the unsurpassable mind and return to boundless truth.”

Norman Fischer is a poet, Zen priest, and the co-abbot of San Francisco Zen Center. He lives at Green Gulch Farm, where he heads the practice program.

Images: Illustrations by Robert Beer from Tibetan Thangka Painting: Methods and Madness, by David and Janice Jackson, courtesy of Snow Lion Publications. 

Letting go

We offer our whole body and mind to wisdom or to compassion, opening ourselves, in the act of the bow, to that quality letting go of everything else in our life but that quality, bringing it out, making it big, fashioning it day by day, bow by bow.

—Norman Fischer, "Why Do We Bow"